Maxon Cinebench 2026 Assesses New NVIDIA, AMD and Apple Hardware
Maxon's new release of Cinebench is updated to the most recent Redshift Rendering engine and adds support for the new NVIDIA and AMD GPUs, and M4/M5 Apple Silicon processors.
Chaos Vantage's real-time feedback is now accessible in the viewport, speeding up layout, previs and lookdev for VFX and animation teams, alongside a new set of updates for V-Ray 7 for Houdini and Maya.
GenAI Generalist Sami Ling at Dimension Studio shares interesting ideas on the role of AI in filmmaking, particularly in virtual production, reflecting her experience gained at the studio.
Mari 7.5 has a new Multi-Paint feature developed as a collaboration between Foundry and Wētā FX, a Texture Transfer system, an expanded asset library and an Image Manager.
The December Maxon One release delivers improvements to Cinema 4D, Redshift, ZBrush and Red Giant, upgrading workflows for sculpting, rendering and motion graphics design.
The new Boris FX Sapphire 2026 release introduces an authentic film burn effect and transition, an AI-driven whiplash cutout transition, new lens flares, and grunge stamps.
Digital Domain has appointed Sudhir Reddy as President of its Global VFX Business, with 27 years of industry experience in India, New Zealand and the US.
Das Element, asset library software built for VFX and animation studios, now has stronger support for 3D workflows, new permission controls and improved tools for customization.
The Academy Software Foundation held its annual Open Source Days event in August, helping to further open source software development for VFX, animation and digital content creation.
Christopher Jaques and Theo Facey, formerly of DNEG, launched The TWIN Group, a collective of visual experts specialising in the development and creation of high-end digital characters.
Chaos V-Ray 7 for 3ds Max now features AI-driven tools for materials creation and automated scene enhancement, shifting scenes from day to night and exchanging feedback via the cloud.
Ingenuity Studios announced the appointment of Armen Kevorkian as president. A visual effects industry leader, Armen brings high-profile production expertise to a new role.
Chaos Group V-Ray for Blender now makes the V-Ray renderer available to Blender users, working in animation, VFX, archviz and game cinematics, from inside the application.
AEAF Sets Sights on a Perfect Day of Speakers and Awards
As AEAF approaches on 16 August, NOW is the time to BOOK TICKETS. The Speaker Line-up is in place for a perfect day, and the judges are hard at work on hundreds of beautiful entries. You will be surprised by the breadth and quality of work on show at the Awards, ranging from polished motion graphics to photoreal looks and FX in movies, and now new virtual worlds.
The 360/VR category launched last year has grown to such an extent that we have divided it into two separate categories – 360 VR and VR Experience. See the article in this Newsletter below to find out the details and learn about the entries.
Top Speakers – Don’t Miss Them
The full day of speakers coming to the event is terrific. AEAF is an opportunity to hear and see what is happening in your industry from some of the best artists in the world. Animation Director Rob Coleman from Animal Logic in Sydney, ILM’s Jeff Capogreco from Singapore, Anders Langlands of Weta Digital, Lindsay Adams at Iloura in Melbourne and motion artists from The Sequence Group in Vancouver and Melbourne are some highlights. PLUS MPC, Buck and Rotor Studios are all on the program. Don’t hesitate to BOOK TICKETS NOW or to INQUIRE about attending.
AEAF Awards
As always, the flow of Commercials projects has continued to the very end this year and reveals some highly original work, including creative use of environments, characters and motion design. This includes that specialised commercials category Games Trailers that attracts such huge talent.
The Awards have received a larger number of TV Series than ever. Studio restrictions prevent several of these projects from going online, but you will be able to see breakdowns of the work involved at the screening on Awards Night. The size of the category also prompted a separate category for Children’s TV, announced earlier, reflecting the different focus for production and post.
Most exciting of all is the Feature Film category, now grown to more than 20 entries from around the world. Looking at the breakdowns on 16 August will be a learning experience as well as inspiration for VFX and animation artists everywhere. www.aeaf.tv
AEAF Welcomes ILM’s VFX Supervisor Jeff Capogreco as Speaker
Visual Effects Supervisor Jeff Capogreco is coming to speak at AEAF 2017 from ILM Singapore, where he has been working since 2014 when he joined the company as an Associate VFX Supervisor on ‘Jurassic World’. Most recently, he supported the ILM team in 2016 on ‘The Great Wall’ also as Associate Visual Effects Supervisor and then became VFX Supervisor on ‘Kong: Skull Island’. He is now working on post for ‘Transformers: The Last Knight’, releasing in June 2017.
He has a post graduate diploma in Computer Animation from Sheridan College and a 10-plus year career producing imagery for top feature films. Prior to ILM he worked at WETA Digital as a VFX Sequence Supervisor on such films as the three Hobbit films, ‘Rise of the Planet of the Apes’, ‘The Adventures of Tintin’ and ‘Avatar’. www.ilm.com
The VES held the 14th Annual VES Awards, recognising visual effects artistry and innovation in film, animation, television, commercials, video games and special venues.
Paul Butterworth is one of Australia's most experienced Visual Effects Supervisors, now working at Animal Logic. He will be speaking at AEAF in Sydney in August.