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• MUSHANG VFX Lab Puts Virtual Production on Stage in Sydney

• Navigating Complex Workflows and Data Challenges in Media Production

• NIM Labs NIM 7.0 Visualises Production Scheduling for Studios

• Nuke 16.0 Adds Multishot Compositing, Updates BlinkScript and Timelines

• NVIZ Expands Senior Team to Launch a New Phase of Development

• NVIZ Welcomes Luke Kaile and Chris Lunney to Top Leadership Roles

• Papertown Shoots Inside a Virtual Hangar Using Mo-Sys Onset VP Services

• Picture Shop Names Rachel Faith Hanson as Executive Producer of VFX

• Pitch Black Appoints New Vice President of Operations

• Pixotope Announces Major Hires in APAC Region

• Pixotope Integrates Unreal Motion Design, Updates Animation, Tracking, Colour

• Pixotope to Hold Virtual Production Networking Event in Singapore

• Preymaker Opens Cape Town Studio, Launches Recruitment and Scholarship

• Preymaker Welcomes Producers Clairellen Wallin and Mike Pullan 

• ProSiebenSat.1 Deploys EVS Live Content Workflows for Production and Replays

• Qumulo Private Availability Launches its Cloud Native File System on AWS

• Raúl Lavado on Dedicating a Career to Colour, Art and Technology

• RE:Vision Effects Twixtor Frame-Rate Conversion Plug-ins Are Now Standalone

• REALTIME Launches New Virtual Production and Development Division

• Receive 20% Off Your First Year of Chaos V-Ray and Phoenix

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