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• Double Promotion Raises the Profile at Freefolk

• DreamWorks Animation Releases MoonRay as Open Source Software

• DVEO RTX 5090 AI Servers to Power 1Legion’s GPU Cloud Platform

• EditShare Accelerates Collaborative Post Workflows with Shared Storage at Tint

• EditShare EFS NVMe Expands Media Infrastructure at Leeds Trinity University

• EditShare’s Storage Enhances 4K and Remote Workflows at EGG Post & VFX

• EIZO’s 31.5-inch 4K Monitor Supports Consistent, Precise Colour Workflows

• EngineLab and AWS Support Studios on the Way to Cloud-Based Production

• Facing the Future of Broadcast Sports Audio

• FilmLight Colour Awards Winners Share Tips, Insights and Stories

• Filmmakers Find the Colour of ‘Dreams’ in Baselight 6’s New Tools

• Finding a Place for 'Here' in Light, VFX and Colour

• Finding the Perfect Finish for 'Furiosa: A Mad Max Saga'

• Finepoint Broadcast Re-invests in EVS Server Technology with New XT-VIA Fleet

• FOLKS Expands with the Launch of FOLKS USA

• FOLKS VFX Builds Worlds Inside Worlds for TV Series ‘Dark Matter’

• Founder Rob Harvey on Taking Risks, VFX and Life at Lola Post

• Foundry Acquires Griptape to Further Integrate AI across VFX Pipelines

• Foundry Extends USD Workflows in Katana, Develops 2D Mode for Mari

• Foundry Flix 6.5 Upgrades Secure Permissions and Versioning for Storytelling

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