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• EditShare EFS NVMe Expands Media Infrastructure at Leeds Trinity University

• EditShare EFS Unifies Post Production Storage at Clear Cut Pictures

• EditShare Opens the Way to Flexible Post Workflows at Azimuth

• EditShare Renovates Storage and Asset Management for This Old House

• EditShare Wiredrive Keeps Stories on Track at Offroad Films

• Elodie Ichter Builds a Look from History on Baselight for FX’s ‘Shōgun’

• Élodie Ichter Joins Light Iron as Senior Colourist

• ETC Adopts FilmLight FLUX Store for Flexible Post Storage Management

• Eurotape Media Upgrades R&S Clipster and Storage Network for Faster Mastering

• EVS Develops New Generative AI Replay Effects with XtraMotion 3.0

• EVS Keeps Media Moving into Broadcast Asset Management Workflows

• EVS Launches IPD-VIA Create for Fast Web-based Editing

• FilmLight Baselight Software is Now Ready to Run on macOS Systems

• FilmLight Colour Awards Winners Share Tips, Insights and Stories

• FilmLight Nara Connects Creative Teams with Native Media Decodes and Playback

• FilmLight Nara Simplifies Access to Data and Project Management

• FilmLight REMOTE Delivers High-Quality, Low-Latency Remote Grading

• Filmmakers Find the Colour of ‘Dreams’ in Baselight 6’s New Tools

• Filmmakers Take the Leap into Space with Blackmagic for 'When We Were Shuttle'

• Finding a Place for 'Here' in Light, VFX and Colour

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