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AEAF Enter
  • Blackmagic Pocket 4K Camera Tells an Athlete’s Story in ‘Simone vs Herself’

  • Blackmagic PYXIS 12K Supports Cinema and Photo Lenses, Full-Frame Anamorphic

  • Blackmagic PYXIS 6K Captures a Shopping Dream for Rossetto Supermarkets

  • Blackmagic PYXIS 6K Sets the Style, Colour and Look for Helmut Lang in NYC

  • Blackmagic Remote Collaboration Tools Keep ARTE’s New Series Rolling

  • Blackmagic URSA Cine 12K Joins ‘Caper Crew’ for ABC’s New Kids’ TV Series

  • Blackmagic URSA Cine 12K LF Captures Lives of Children in Light and Shadow

  • Blackmagic URSA Cine 17K 65 Layers Depth and Contrast in ‘To Fly or Float’

  • Blackmagic URSA Mini Pro 12K OLPF Preserves Colour and Detail in High Res Video

  • Blue Lucy and VSI Group Renew Automated Localisation Partnership

  • Blue Lucy BLAM Manages Automated and Manual Tasks for Media Workflows

  • Blue Lucy's BLAM Supports Agile Media Operations and Delivery at BBC Studios

  • BlueBolt Adds Ben White As VFX Supervisor

  • BlueBolt Delivers Authentic VFX for Period Drama ‘My Policeman’

  • BlueBolt Recreates Historic Battles in Toulon and Paris for ‘Napoleon’

  • BlueBolt Shines New Light on the Dark Tale of Nosferatu

  • Boris FX Sapphire 2026 Takes Inspiration from Physical Media

  • Boris FX SynthEyes 2025 Updates 3D Tracking with AI/ML Efficiency and Speed

  • Box to Box Works with MediaSilo to Manage and Review Works in Progress

  • Brahma Aquires Metaphysic to Speed Development of AI-Native Product Suite

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