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• Telestream Vantage Reaches Remote Workflows with Scalable Cloud Integrations

• The Finish Line Completes UHD / HDR Picture Post for ‘I Am a Killer’

• The Rebel Fleet Works On Set with AJA for Assist, DIT and Dailies Workflows

• ThinkAnalytics Enhances Contextual Advertising with New Privacy-First Features

• Time in Pixels and AJA Push Ahead with Video Analysis for Post

• Transforming Election Night Stories – Cloud, Remote Production, Graphics

• TrueVisions NOW Adopts Bitmovin Observability for Real-time Streaming Insights

• TV Anhanguera Customises Channel Playout through Pebble Automation

• TVU and MediaLuso Produce Live Remote Commentary for Pan American Games

• Two Wheels Motor Racing and Harmonic Partner to Distribute Live Racing in Asia

• Union VFX Reconstructs a Tragic World for ‘The Tattooist of Auschwitz’

• University Station Upgrades Master Control to Nverzion Server and Automation

• V-Ray 6 for 3ds Max, update 1, Enhances Artist Control and GPU Rendering

• V-Ray 6 for Houdini Advances with Solaris, Volumetrics and Lighting Developments

• V-Ray 7 for Maya and Houdini Supports Gaussian Splats, Volumetric Shading

• Vicki Matich on Colour Grading for Authenticity in TV and Film

• Viz Libero 8.3 Automates Sports Video Cropping for Social Media

• Viz Mosart and Viz Flowics Extend Panasonic KAIROS Integration

• Viz Social’s New Flowics Interface Helps Curate Social Posts to Engage Viewers

• Viz Trio Go Combines Graphics Creation and Control for Broadcast

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