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• DFT Scanity 4K Film Scanner Participates in Digitisation Initiative at Poland’s FINA

• Digital Domain Creates the Character Connection in ‘The Electric State’

• Digital Domain Relaunches Advertising Experiences Group With New Hires

• Digital Domain Visualises a Choctaw Origin Story for Marvel’s New Series ‘Echo’

• Digital Domain Visualises a Witch’s World for MCU’s ‘Agatha All Along’

• Digital Nirvana and Avid Collaborate to Improve Media Production Workflows with Intelligent Metadata Integration

• Dimension Studio and AJA Capture Virtual Production Workflows

• Dimension Studio Announces Expansion With Key Executive Hires

• Dimension Travels from the Ice Age to New York – and Back – for ‘Time Bandits’

• Dimension Works with AWS and Arch to Move Virtual Production to the Cloud

• Dirty Looks Bring Authenticity to 'The Zone of Interest' with Naturalistic Colour

• Discovering SMPTE’S METexpo 2024 from Control Room to Cloud

• disguise APIs Ease Custom Workflows and Integrations for Real-Time Production

• Disguise Invests in Leader’s LPX500 Waveform Monitor for SDI / IP Compliance

• disguise Porta 2.1 Updates Unreal Engine Graphics for Live Broadcast

• Disguise Porta 2.3 Controls Real-Time Unreal 5.4 Graphics for AR/XR Projects

• Disguise X1 Makes Disguise Functionality Mobile, Server-Free, on Any Device

• DIT Kevin Shiramizu Bridges the Worlds of On-Set Production and Post

• DMC Takes Grass Valley AMPP to the Track for Remote RallyX Production

• DNEG Builds and Destroys Post-Apocalytic Seattle for 'The Last of Us' Season 2

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