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AEAF Enter
  • Canon Launches EOS R6 Mk III for Video, Two PTZ Models for Remote Workflows

  • Cinegy Air Adds HDR/SDR Playout, Audio Watermarking, Graphics Engine Update

  • Cloudbass Adopts Grass Valley for New IP Remote Production Vehicles

  • Colorfront Builds On AI/Automation Tools, Dolby and Apple Collaborations

  • Colorfront Develops New AI Tools and Automation for Mastering and QC

  • Colorfront Shows HDR Cinema Mastering Tools at CineEurope 2025

  • Colorfront Transkoder Achieves HDR Vivid Colour-Grading Award for Mastering

  • Colorfront Upgrades SDR/HDR Video Mastering and Streaming Workflows

  • Colorfront’s Reference-Grade Remote Reviews Perfect Colour Workflows

  • Colourist Claudio Del Bravo Masters Colour and Light, Frame by Frame

  • Colourist Pankaj Bajpai Changes the Colour of Historical Drama for ‘Bridgerton’

  • Colourist Sam Chynoweth Creates a Look in the Mirror for Black Mirror Season 7

  • Colourist Sam Chynoweth Recreates Looks from the Past for Black Mirror Series 7

  • Colourist Sam Chynoweth Walks the Line from Memory to Life for Black Mirror

  • Czech TV Launches Large Scale LiveU OB Project for Live Sports and News

  • Dalet AmberFin Adds New Workflow and Pricing Options for Media Processing

  • DaVinci Resolve and Blackmagic Cloud Support Frida’s Remote Post Workflow

  • DaVinci Resolve Studio and Blackmagic RAW Solve Remote Post for Indie Film

  • DaVinci Resolve Studio Gives a Polished Colour Grade to Sci-Fi Thriller Kraken

  • DaVinci Resolve Studio Handles Complete Picture Finishing for BBC Series ‘Vigil'

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