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• Colourist Sam Chynoweth Walks the Line from Memory to Life for Black Mirror

• Company 3 and Baselight Align on the Colour Grade for ‘The Gentlemen’

• CP Communications Takes 2023 TCS New York City Marathon to the Cloud

• Creating a Supernatural Colour Grade for ‘Salt Along the Tongue’

• Cricket Australia Adopts Dalet Flex to Enhance Monetisation and Fan Experience

• Cuez Unifies Production of Three Live Shows as One at ITV Studios

• Dalet Flex LTS Update Focusses on Faster Workflows, Security and Collaboration

• Dalet Flex LTS Upgrades Searching, Editing and AI Services for Media Workflows 

• Dalet Flex Optimises Monetisation with Fast Deployment and Scalability

• Dalet Pyramid Updates and Expands News and Editorial Systems at RNZ

• Dalet Transforms Italy’s Premier Football League into a Sports Media Enterprise

• Dante AV Synchronises Audio and Video Content for Iyuno’s Localisation Services

• Dante Connects Spatial Audio Design for 'The Wizard of Oz' at City Springs Theatre

• DaVinci Resolve 20 Upgrades with AI-Driven Tools, Audio and Cloud Innovation

• DaVinci Resolve 21 Dives Deeper into AI, Motion Graphics, Smarter Keyframing

• DaVinci Resolve and Blackmagic Cloud Support Frida’s Remote Post Workflow

• DaVinci Resolve and Fusion 19.1 Update Multi-cam, Audio and VFX Workflows

• DaVinci Resolve Brings Indian Spectacle ‘Kantara’ to Worldwide Audience

• DaVinci Resolve Brings New Zealand’s 'Shortland Street' into the Streaming Era

• DaVinci Resolve Edits and Grades Vibrant Fantasy in ‘Rains Over Babel’

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