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• Sony VENICE Extension System Mini Reduces the 8K Footprint

• Sony Virtual Production Tool Set Aligns Pre-Production and On-Set Workflows

• Sony, NEP, Citymesh Collaborate on 5G Live Production Test at Belgium Cup Final

• Sony’s 4K IP-Based PTZ Cameras Feature Automated Framing and AI Analytics

• Sony’s CCU Camera and 4K Live Production Monitors Support ST 2110 IP Workflows

• Sony’s New 4K Camcorders Focus on AI Functions, Interoperability, Connectivity

• Sony’s New DWM-30 Wireless Mic to Increase Stability, Flexibility, Codec Modes

• Squid Game Season 2 Takes Another Chance at Colour, Drama and Life

• Students Leap into LED Virtual Production with Pocket Cinema Camera 4K

• Tencent Video Goes Live with Grass Valley 4K/IP for Online Broadcast

• The HELM Looks Ahead to the Broadcast Production Future with ALEXA 35 Live

• Trans Am Series Puts Fans in the Driver’s Seat with LiveU 5G Video Transport

• TV 2 Works with NEP, DMC and EVS to Cover Norway’s Top Sports Portfolio

• Ultimatte 12 4K Accelerates Green Screen Virtual Productions at CoPilotXR

• URSA Broadcast G2 Keeps Pentatonix under the Spotlight for Hybrid Concert

• URSA Mini Pro 12K Captures Girls in Motion for Kunzite’s Music Video

• Videocraft Upgrades to FUJINON 4K Lenses for Broadcast, Sport and Live Events

• Vietnam Moves Up to its First 4K OB Van, Built on Sony Gear

• Viz Libero 8.1 Brings AI, Fresh Graphics and Cloud Compatibility to Sports Video

• Vizrt Automates Software-Defined Switching and Multi-Platform Delivery

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